ARTIST: Beastie Boys
TITLE: Licensed to Ill
YEAR RELEASED: 1986
CHART ACTION: #1 US, #2 R&B, #7 UK
SINGLES: Hold It Now, Hit It (#55 R&B), The New Style (#22 R&B), Paul Revere (#34 R&B), Brass Monkey (#48 US, #83 R&B), (You Gotta) Fight for Your Right (To Party) (#7 US, #11 UK), No Sleep till Brooklyn (#14 UK), Girls (#34 UK)
OTHER SONGS YOU MAY KNOW: She’s Crafty
LINEUP: Ad-Rock, MCA, Mike D. Kerry King famously played guitar on No Sleep till Brooklyn
WHAT’S IT ALL ABOUT: Fun, if problematic, debut long player album from punk group turned hip hop force.
SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: After “Cookie Puss”, the Beastie Boys went through huge changes, as they decided to turn themselves from a snotty punk band to a snotty hip hop outfit. After a couple of singles and soundtrack appearances, they and Rick Rubin released this opus, which introduced hip hop to snotty suburban bros (ok, maybe not introduced, but made it OK for them to like).
So many great samples, so many great production moments, so so many great one-liners, and yet, it’s problematic. It’s hard, now, to listen to this at times, with the many references to violence and the rampant misogyny. But, were those references tongue in cheek? Maybe so.
I’m going with the tongue in cheek answer. It’s partly a product of the times, a parody at times of the culture of suburban white kids, and dang the rhymes are great. Even now, my best friend and I will bust out “Got six girlies in my Lincoln Continental” when we’re feeling fresh.
NOTES & MINUTIAE: The move to hip hop was the impetus for Kate Schellenbach to leave the band, as there was no room for her anymore.
IS THERE A DELUXE VERSION: No.
GRADE: A: It’s got rhymes like Abe Vigoda.