Tag: 1976

REO Speedwagon – R.E.O.

ARTIST: REO Speedwagon      220px-R.E.O.




SINGLES: Keep Pushin’

OTHER SONGS YOU MAY KNOW: Flying Turkey Trot, (I Believe) Our Time Is Gonna Come

LINEUP: Kevin Cronin, Gary Richrath, Neil Doughty, Gregg Philbin, Alan Gratzer

WHAT’S IT ALL ABOUT: After an exile, Kevin Cronin returns to REO, thankfully.

 SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: For their sixth studio album, REO Speedwagon welcomes back Kevin Cronin, who wrote their best-known (to that date) song, yet was forced out (or quit) before it was released and the vocals re-recorded.,

The band had released half-hearted records, but the addition of Cronin gave Gary Richrath some songwriting competition and allowed the material to improve. It still was just mediocre Midwestern rock, but it was an improvement.

“Keep Pushin’”, the lead cut, was the best track since “Ridin’ the Storm Out”, and “(I Believe) Our Time Is Gonna Come” is a pre-cursor to their huge 1980 hits. So, this is an improvement, and not an album you’ll throw out as soon as you hear it.

NOTES & MINUTIAE: The band approached Greg Volz to be the new singer, but he became a Born-Again Christian (and later formed Stryper), thus the return of Cronin.


 GRADE B-: It’s not horrible, just a bit blah.

AC / DC – Dirty Deeds Done Dirt Cheap

ARTIST: AC / DC                                                                220px-Dirty_Deeds_Done_Dirt_Cheap_(ACDC_album_-_cover_art0

TITLE: Dirty Deeds Done Dirt Cheap

YEAR RELEASED: 1976 (except for the US, where it was 1981)

CHART ACTION: #3 (finally, in 1981). Top 5 in Australia!

SINGLES: Dirty Deeds Done Dirt Cheap (#4 Mainstream, #47 UK), Love at First Feel, Ride On. Jailbreak was on the Aussie album and hit #10 there.

OTHER SONGS YOU MAY KNOW: Big Balls, Problem Child

LINEUP: Bon Scott, Angus Young, Malcolm Young, Mark Evans, Phil Rudd

WHAT’S IT ALL ABOUT: Now a classic piece of wax, this was passed over by their US record company until AC/DC became too big to ignore.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Somehow, the geniuses at Atlantic Records thought an album “Dirty Deeds Done Dirt Cheap” and “Problem Child” wasn’t worth releasing. Well, that wasn’t too bright was it? 220px-ACDC_Dirty_Deeds_Done_Dirt_Cheap_Aus_Front

Sure, some of the filler is definitely filler, and “Big Balls” is fine for 12-year olds everywhere, but there’s enough good stuff here to forgive some of the puerile stuff. Most of the tracks rock despite the cringe on your face, and it’s all in good fun, innit?

The Australian version and the International / US Version had some big differences, and really the latter version flows better but loses two good tracks and adds just one.

NOTES & MINUTIAE: The International Version added “Love at First Feel” (a plus) and “Rocker” (meh) and loses “RIP (Rock In Peace)” and “Jailbreak” (both minuses).

IS THERE A DELUXE VERSION: No unless you count the two versions.

 GRADE B: Any record with “Problem Child” gets an upgrade!

Eric Clapton – No Reason to Cry

ARTIST: Eric Clapton             EC_No_Reason_to_Cry.jpeg

TITLE: No Reason to Cry



SINGLES: Hello Old Friend (#24), Carnival


LINEUP: Eric Clapton, the Band, Yvonne Ellman, Bob Dylan, Ron Wood, Carl Radle, and so many others.

WHAT’S IT ALL ABOUT: Clapton rallies a bit, and makes an album that’s not boring.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Breaking out of the torpor of his previous album, Eric Clapton worked with The Band at their studio, and had a duet with Bob Dylan on the latter’s “Sign Language”. As with any duet with Dylan, Bob’s got his own rhythm, and his gruff growl and Clapton’s reedy voice (which is raspy this time around too) don’t mesh that well, but at least it’s played well by The Band.

Elsewhere, there are a couple of blues tunes, songs written by Rick Danko, and the typical laid-back shuffles that Clapton was specializing in during this time. There’s some energy here, though. I credit The Band.

It’s not a masterpiece, but at least Clapton’s on the right path here.

NOTES & MINUTIAE: Dylan was just hanging around, and not only growled a duet with Clapton, offered another track. Clapton passed, but Ron Wood, also hanging out, grabbed the song “Seven Days” for his solo album.


GRADE: B: At least you won’t fall asleep here.

Rush – 2112

ARTIST: Rush                                                           220px-Rush_2112

TITLE:  2112



SINGLES: The Twilight Zone, A Passage to Bangkok, The Temples of Syrnix (part of 2112)

OTHER SONGS YOU MAY KNOW: 2112 (of course), Something for Nothing

LINEUP: Geddy Lee, Alex Lifeson, Neal Peart. Hugh Syme plays keyboards on the opening of 2112 and on another track.

WHAT’S IT ALL ABOUT: Rush goes for it, and creates a side-long suite that locks in their fan base, and adds new converts. The second side is spotty.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: When older Rush fans think of Rush, they probably think of “2112”, the epic suite that sounds just as great live as on record (even if Geddy Lee can’t reach the high notes anymore). While that side-long epic has some down parts (especially some slow guitar wanderings), most of it is a great example of prog-rock done right.

Side two? Well, it starts off with the fantastic “Passage to Bangkok”, and a couple of other tracks are decent. The middle tracks, the songs Neal Peart didn’t write lyrics for, let the side down. I exiled one, even.

I have to downgrade it for side two, but seriously, if you like Rush or prog and you don’t have this record there’s something amiss.

NOTES & MINUTIAE: It may be coincidence, but probably isn’t. The ending has two lines: The first seven words are repeated three times (21) and the last four are repeated three times as well (12).

IS THERE A DELUXE VERSION: Yes, live cuts, and a bonus disc from the 40th anniversary.

GRADE: B+:  I just can’t look past side two, or the droopy parts of the suite. But, man, when it’s great, it’s fantastically great.


Journey – Look into the Future

ARTIST: Journey                         Journey_Look_Future

TITLE:  Look into the Future



SINGLES: On a Satuday Night, She Makes Me (Feel Alright)


LINEUP: Greg Rollie, Neal Schon, Ross Valory, Aynsley Dunbar

WHAT’S IT ALL ABOUT: Ex-members of Santana and other bands try again, shedding some of their prog-rock excursions. The songs let them down.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Journey’s second album finds a quartet trying to find a sound that’s natural for them, but also commercial. They’re kinda successful, in a way. At least they’re trying to be commercial.

The lead cut “On a Satuday Night” is an attempt to have that ‘feel good rock-and-roll’ tune, but it seems a little stiff and lyrically daft. They don’t fare much better with their ballads, nor their more proggy explorations on side two.

The worst idea is covering a mediocre deep Beatles cut (“It’s All Too Much” – a song that was shunted off to the Yellow Submarine soundtrack) and doing it in a sped-up way that ruins any meaning and spirit the song had.

By now, it was obvious that Rollie and Schon and company needed help to gain success, especially in song writing.

NOTES & MINUTIAE: Original member George Tickner left during pre-production having co-written two songs.


GRADE: C:  Well, um…the best that I can say is that they’re trying. But this album is trying, too. EXILED.

Bruce Cockburn – In the Falling Dark

ARTIST: Bruce Cockburn                               in-the-falling-dark

TITLE:  In the Falling Dark





LINEUP: Bruce Cockburn, Michael Donato, Bob Disalie, Bill Usher, Dennis Pendrith, Kathryn Moses, Fred Stone, and others

WHAT’S IT ALL ABOUT:  On his seventh (7!) album, Cockburn moves away from his almost entirely acoustic material into a sound incorporating jazz and rock with his environmental folk tunes.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Cockburn had released six albums since 1970 in Canada (they’re all streaming, but they really didn’t make an impact here (barely released if at all))but this is where he moves towards a more contemporary sound.

There’s a lot of jazz elements here, especially when Kathryn Moses’ flutes mingle with the bass, drums, percussion and guitar. Cockburn’s guitar picking is outstanding, as he really lets it fly on the instrumental “Water into Wine”.

The long, acoustice “Gavin’s Woodpile” stops the record cold on the middle of side two. I’m sure fans of his previous albums appreciated it, but it’s an eight minute long acoustic diatribe that I just wanted to end.

NOTES & MINUTIAE: It’s pronounced CO-burn, you pervs.

IS THERE A DELUXE VERSION: Yes. Some outtakes have been appended.

GRADE: B-: Folk / jazz / soft rock ain’t for everyone, I know, especially when it’s kind of environmentally preachy. But this works on a lot of levels, except for the one long long long song.

Blondie – Blondie

ARTIST: Blondie Blondie_album_cover

TITLE:  Blondie



SINGLES: X Offender, In the Flesh, Rip Her to Shreds


LINEUP: Debbie Harry, Chris Stein, Gary Valentine, Jimmy Destri, Clem Burke

WHAT’S IT ALL ABOUT: First album by NYC CBGB band has some hooks, some very memorable songs, and shows some of what Blondie would become.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Blondie was still kind of finding their way around (after evolving from a girl group parody / tribute way back when) when they dropped this record on the public to yawns and sighs in late 1976. But, if the public would have listened, they would have found a lot of things to like about it.

Jimmy Destri’s organ is the star of the music – full of fun hooks and fills all over the place. Harry is the star of star, of course. You can’t help but listen to her. The songs are about 50/50 hit or miss, though Harry makes most of them decent, and makes songs like “In the Flesh” and “Rip Her to Shreds” stellar. When she coos, “I could give you some head and shoulders to lie on…” you take notice!

About half the record stands up with their best work, and since it’s relatively unknown it’s like bonus Blondie, right?

NOTES & MINUTIAE: This was originally released on Private Stock records. The original single mix for “X Offender” was, well, not good. Then they dumped out of their contract to sign with Chrysalis, and that company re-released it.

IS THERE A DELUXE VERSION: Yes, demos and those Private Stock mixes.

GRADE: B+: It’s a fun record with some pretty great songs balancing the mediocre ones.

Judas Priest – Sad Wings of Destiny

ARTIST: Judas Priest 220px-Sad_wings_of_destiny_cover

TITLE:  Sad Wings of Destiny



SINGLES: The Ripper

OTHER SONGS YOU MAY KNOW: Victim of Changes, Deceiver, Tyrant, Genocide, Island of Domination

LINEUP: Rob Halford, KK Downing, Glenn Tipton, Ian Hill, Alan Moore

WHAT’S IT ALL ABOUT: A mostly metal showcase for the band that has several legendary Priest songs.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: “Victim of Changes” is my favorite heavy metal song of all time. It glides through several movements and features some great guitar playing and the ultimate vocal gymnastics from Rob Halford. It’s a damn near perfect way to start this record.

This one is packed with songs that would become tour staples for many years to follow, and many were immortalized on live records and bootlegs in future years. Hearing Halford’s vocals on the intro to “The Ripper” gives one chills.

It’s not a perfect album. They kept trying to make ballads happen and it really wasn’t their strength, though “Dreamer Deceiver” picks up at the end as it morphs into “Deceiver”.

NOTES & MINUTIAE: After this record, they left Gull Records and were signed by CBS, but Gull owned the rights to their first two albums. Thus, the endless repackaging of them in later years.


GRADE: A-: As much as I wanted to give this an A or A+, the ballads drag it down so it’s not a complete heavy metal extravaganza.

The Runaways – The Runaways

ARTIST: The Runaways      220px-Therunaways

TITLE:  Runaways



SINGLES: Cherry Bomb (#106)

OTHER SONGS YOU MAY KNOW: Doubtful, really.

LINEUP: Cherie Curie, Joan Jett, Lita Ford, Sandy West, Nigel Harrison (he played bass instead of Jackie Fox)

WHAT’S IT ALL ABOUT: Skeevy, sleazy rock and roll from teenage girls masterminded by skeevy, sleazy Kim Fowley.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: The power of the press and the power of hype – the Runaways are probably more read about and written about than actually heard. Oh, well, yeah you probably have heard “Cherry Bomb” but no one really did in 1976.

This 10-track album is just mediocre rock in the whole, with some decent tunes from Joan Jett (of course), half-decent guitar playing, and more attitude than anything else. Attitude is fine, sure, but there’s an air of manufactured attitude more than anything.

The last track, “Dead End Justice” is kind of embarrassing in that there’s spoken word in there about the Currie being in juvie – it really doesn’t work at all.

NOTES & MINUTIAE: “Cherry Bomb” was a #1 smash in Japan.


GRADE: C: Some have been exiled. “Cherry Bomb” is great, and their cover of Lou Reed’s “Rock & Roll” shows they had taste – of Fowley did.


Warren Zevon – Warren Zevon

ARTIST: Warren Zevon Warren_Zevon_-_Warren_Zevon
TITLE: Warren Zevon
SINGLES: Hasten Down the Wind, I’ll Sleep When I’m Dead
OTHER SONGS YOU MAY KNOW: Poor Poor Pitiful Me, Mohammed’s Radio, Desperados Under the Eaves.
LINEUP: Warren Zevon, Waddy Wachtel, Bob Glaub, David Lindley, Larry Zack, and many other LA session players including Don Henley, Lindsey Buckingham, Jackson Browne, Bonnie Raitt, JD Souther, Stevie Nicks, Phil Everly, Carl Wilson, and Glenn Frey.
WHAT’S IT ALL ABOUT: Acerbic songwriter Zevon records first solo album in years after kicking around the margins of the industry while making excellent friends and connections.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Warren Zevon had been an aspiring songwriter and performer in LA since the mid-60’s, and had a couple of records out that went nowhere. He then worked as the bandleader for the Everly Brothers and kicked around Europe before settling back in LA.

Through friends and connections, Asylum Records signed him and he went into the studio with many of those friends to create this first solo album. While it didn’t sell very well, it introduced Zevon to critics and others in the industry and his fame as a songwriter became well known.

The sessions sound very typical of the time – picture a Linda Ronstadt or Jackson Browne album – and those arrangements suit Zevon pretty well. Most of the songs are well crafted with help on arrangements from Carl Wilson and Browne (who produced).

You may not be as familiar with the lesser-known songs on this album, like “Frank and Jesse James” but it’s worthwhile and a great intro to Zevon.

NOTES & MINUTIAE: I didn’t review it because it’s terrible, but his 1969 solo album is streaming. It was co-produced by Kim Fowley and a couple of the songs have some of that Zevon spark – it just was rushed and ill-conceived. Zevon himself disowned it. The only reason it’s around is that Capitol Records remastered it right before he passed away.

IS THERE A DELUXE VERSION: Yes, with demos and other takes.

GRADE: A-: He’s so much deeper than “Werewolves of London” so if you know any other Zevon songs you should probably check this out for sure.