Tag: 1984

The Meat Puppets – Meat Puppets II

ARTIST: The Meat Puppets 

TITLE: Meat Puppets II

YEAR RELEASED: 1984

CHART ACTION: None

SINGLES: None

OTHER SONGS YOU MAY KNOW: Lost, Plateau, Oh Me, Lake of Fire

LINEUP: Curt Kirkwood, Cris Kirkwood, Derrick Bostrom

WHAT’S IT ALL ABOUT: An punk record? A psychedelic record? A country-rock record? All of them, for sure. It’s unique.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Sure, you can quibble about Curt Kirkwood’s vocals (not really in any key known to mankind), and the stylistic diversions, and the uprooting of the punk norm (for those SST Records purists), but dang this is a fun record that’s, well, always keeping you guessing.

The opening track, “Split Myself in Two” is really punk rock with other overtones, but then as you move along to tracks like “Lost”, “Plateau”, and “Lake of Fire”, you’re in totally uncharted waters for an SST act. Acoustic guitars, country rhythms, jammy instrumentals, psychedelic overtones, mystical lyrics, and Lord knows what else. It’s like the Grateful Dead crossed with the Minutemen, or something.

If you can get past the vocals (I mean it, they’re surprisingly off-key, but earnest), and forget this was a punk band (was) on a punk rock label, then you’re in for an adventurous treat.

NOTES & MINUTIAE: They played with Black Flag and Nig Heist on a tour, and the punkers in the audience didn’t get it. Long hair? Jams? Wow. Oh, and three of the tracks were on Nirvana’s unplugged record.

IS THERE A DELUXE VERSION: Yes, outtakes and other tracks.

GRADE A+: Sod the vocals, and listen to “Plateau” on repeat, forever.

The Replacements – Let It Be

ARTIST: The Replacements 220px-The_Replacements_-_Let_It_Be_cover (1)

TITLE: Let It Be

YEAR RELEASED: 1984

CHART ACTION: None

SINGLES: I Will Dare

OTHER SONGS YOU MAY KNOW: Unsatisfied

LINEUP: Paul Westerberg, Bob Stinson, Tommy Stinson, Chris Mars. Peter Buck guests on I Will Dare.

WHAT’S IT ALL ABOUT: The Replacements pull it together. Their silliness has some grit, and Paul Westerberg has really found his voice and range in his writing.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Sure, there’s the Kiss cover (done reverently), and songs called “Tommy Gets His Tonsils Out” and “Gary’s Got a Boner”. Yet this time, the Replacements don’t descend into madness – they keep it together and those songs actually make salient points.

Again, Paul Westerberg has written a couple more absolute all-timers in “I Will Dare” and “Unsatisfied”. The rage in “We’re Coming Out” that shifts into a lesser volume and tempo is impressive. His diatribe against MTV is spot on, and the quieter moments also work as well, even if they marginalize Bob Stinson and his roughneck guitar.

It’s raucous, loud, fun, irreverent, hooky, serious, and profound. It’s the Replacements at their best.

NOTES & MINUTIAE: “Tommy Gets His Tonsils Out” was actually about Tommy Stinson getting his tonsils taken out, and morphs into a diatribe against doctors.

IS THERE A DELUXE VERSION: Yes, a few outtakes and demos

GRADE A+: It sounds a bit sloppy, maybe, and at a glance the tracks seem less than silly. But, they give it their all here.

Modern English – Ricochet Days

ARTIST: Modern English 220px-RicochetDays

TITLE: Ricochet Days

YEAR RELEASED: 1984

CHART ACTION: #93 US, #5 UK Indie

SINGLES: Chapter 12 (#15 UK Indie), Hands Across the Sea (#91 US)

OTHER SONGS YOU MAY KNOW: Nah

LINEUP: Robbie Grey, Gary McDowell, Michael Conroy, Richard Brown, Stephen Walker

WHAT’S IT ALL ABOUT: After “THE HIT”, they surprisingly don’t try to really replicate it, instead to sticking what they’ve done otherwise.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: You make a big hit record, they (the industry) expect everything else to be the same or similar to the hit. Modern English didn’t do that.

Sure, they added a bit more sheen and polish, and maybe in “Hands Across the Sea” a hook or three, but stuck to their atmospheric post-punk for the most part. That’s kind of refreshing in of itself.

It’s a decent enough record, with some of their old fashioned gothy moody post punk. It won’t make you jump out of your chair, but it’ll do.

NOTES & MINUTIAE: After this, they moved from 4AD, got glossier, broke up, got back together, broke up, reunited again, and kind of soldiered on.

IS THERE A DELUXE VERSION: Yes, different mixes and B-sides, of course

 GRADE B-: Better than their debut but doesn’t have a standout track.

Frankie Goes to Hollywood – Welcome to the Pleasuredome

ARTIST: Frankie Goes to Hollywood 220px-Welcome_To_The_Pleasuredome

TITLE: Welcome to the Pleasuredome

YEAR RELEASED: 1984

CHART ACTION: #33 US, #1 UK

SINGLES: Relax (#10 US, #1 UK), Two Tribes (#43 US, #1 UK), The Power of Love (#1 UK), Welcome to the Pleasuredome (#48 US, #2 UK)

OTHER SONGS YOU MAY KNOW: They cover Born to Run, Do You Know the Way to San Jose, and Ferry Cross the Mercy

LINEUP: Holly Johnson, Paul Rutherford, Brian Nash, Mark O’Toole, Peter Gill. Trevor Horn, the producer, brought in a lot of session players and may have played a lot of the record himself.

WHAT’S IT ALL ABOUT: Hyped to the billionth degree record is a UK sensation but kind of fizzled here in the US despite MTV and the single Relax being played every 10 seconds it seems.

 SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Notoriety and hype are the two words that come to mind with Frankie Goes to Hollywood. The BBC banned “Relax” and they and MTV banned the first cut of the “Relax” video, which of course made the public want it even more.  220px-Welcome_to_the_Pleasuredome_2

“Relax” and “Two Tribes” were big #1 hits already, remixed quite a bit, and when included on the album along with several covers, some were disappointed. The US market was skeptical, as usual, and the overtly gay overtones of the band’s look and lyrics went over the head of many listeners (because sometimes we’re not too swift on the uptick, ya know). But there’s no real sub-text to a song like “Krisco Kisses”. It just is.

The production is incredible as the band and its songs were perfect palettes for Trevor Horn and the Art of Noise production crew. But as for the songs, some are overly long (the title track takes up the entire first side of the LP for all intents and purposes), and the band seems lost in the production, with the songs secondary to the sounds thrown out there. (The cover of “War” is a great example of this).

NOTES & MINUTIAE: There was a fake band that toured the US in 1998 that was quickly put out of action by swift action since one of the band members lived in Florida and saw an ad for the faux band.

IS THERE A DELUXE VERSION: Yes, with several remixes. The original CD was a sliced up version of the double album.

 GRADE B-: There’s a happy medium between the hype and the backlash, and 35 years after the fact you can separate the good, the bad, and the way too long.

Young Fresh Fellows – The Fabulous Sounds of the Pacific Northwest

ARTIST: Young Fresh Fellows            The_Young_Fresh_Fellows_-_The_Fabulous_Sounds_of_the_Pacific_Northwest

TITLE: The Fabulous Sounds of the Pacific Northwest

YEAR RELEASED: 1984

CHART ACTION: None

SINGLES: None

OTHER SONGS YOU MAY KNOW: None, again

LINEUP: Scott McCaughey, Chuck Carrol, Tad Hutchison

WHAT’S IT ALL ABOUT: Debut record for winkingly ironic band.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: The Young Fresh Fellows made a career in the 80’s from making punk and power pop inspired rock with goofy lyrics and observations for college kids during that era. This record was a blueprint for their style.

Song titles like “Rock ‘n’ Roll Pest Control”, “Power Mowers Theme”, and “Teenage Dogs in Trouble” rather much tell you what you need to know about the songs subjects. Musically, Scott McCaughey shows his versatility with playing guitar, bass, and being the conceptual mastermind.

Some of the songs’ jokes are pretty obvious, unlike in later records where it’s a little more subtle. It’s a decent debut for a decent 80’s ha-ha band.

NOTES & MINUTIAE: The concept for the record was based on a 1960’s Pacific Northwest travel record put out by Pacific Northwest Bell, and they use some of the record as transitions.

IS THERE A DELUXE VERSION: No

 GRADE B-: I chuckled.

Fleshtones – Hexbreaker!

ARTIST: Fleshtones                   220px-Hexbreaker!

TITLE:  Hexbreaker!

YEAR RELEASED: 1983

CHART ACTION: None

SINGLES: None

OTHER SONGS YOU MAY KNOW: Right Side of a Good Thing

LINEUP: Peter Zaremba, Keith STreng, Bill Milhizer, Jan Marek Pakulski, Gordon Spaeth

WHAT’S IT ALL ABOUT: Party album by party band seems flat as it goes along.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: When does a party get boring? When the same thing happens over and over again.

The 60’s loving party band with a great energy and spirit and fun live shows didn’t translate well to vinyl, even with the exuberance of the band. Sax, organ, driving rhythms, and garage guitar give the band their basic sound. Peter Zaremba tries his best to keep the party going, but the issue is the relative same-ness of the material.

“Right Side of a Good Thing” is one that you’ve heard. Maybe the title cut. Anyway, same thing really. Chanted backing vocals, fun atmosphere, but it gets flat a bit and old.

NOTES & MINUTIAE: Their first EP and LP aren’t streaming, which may be an issue with IRS Records old rights, and neither is their compilation of the IRS years.

IS THERE A DELUXE VERSION: No 

GRADE: B-: Individual cuts are great for mixes. But the album as a whole gets a bit wearing.

The Pogues – Red Roses for Me

ARTIST: The Pogues                                        220px-Red_roses_for_me

TITLE:  Red Roses for Me

YEAR RELEASED: 1984

CHART ACTION: #89 UK

SINGLES: Dark Streets of London, Boys form the Country Heil

OTHER SONGS YOU MAY KNOW: Streams of Whiskey

LINEUP: Shane MacGowan, Jem Finer, Spider Stacy, James Feamly, Cait O’Riordan, Andrew Ranken

WHAT’S IT ALL ABOUT: Punks make traditional Irish music. It works.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Punk rock can be played with a tin whistle, accordion, and banjo. Five traditional Irish songs, jigs, and reels, a song from the great author Brendan Behan, and originals by Shane MacGowan that combine punk attitude with Irish music make up this record. It definitely opens your eyes and ears on what can be considered ‘punk’.

The album is lively, raucous, and spirited. Many songs are drinking songs, or related to drinking, because, Irish, you know. Most punters know “Dark Streets of London”, but every track can be thrown into the mix as a good time track. Well, not every track as “The Auld Triangle” is a great sad Irish track.

It’s great to hear a band with a fresh sound (even though it’s rooted in an old style) put themselves out there with enthusiasm and fervor. Irish music purists may find flaws, but heck, it’s fun record with or without a pint.

NOTES & MINUTIAE: MacGowan, Stacy and Finer were in a band called The Millwall Chainsaws before they evolved into the Pogues.

IS THERE A DELUXE VERSION: Yes, B-sides of their singles, including one of their best known songs, a cover of “And the Band Played Waltzing Matilda”. 

GRADE: A: It’s dubbed “Celtic Punk”, which is a great description. A fine debut.

Guadalcanal Diary – Walking in the Shadows of the Big Man

ARTIST: Guadalcanal Diary     

TITLE: Walking in the Shadows of the Big Man

YEAR RELEASED: 1984

CHART ACTION: None

SINGLES: Watusi Rodeo, Trail of Tears

OTHER SONGS YOU MAY KNOW: Why Do the Heathen Rage?, Pillow Talk

LINEUP: Murray Attaway, Jeff Walls, Rhett Crowe, John Poe

WHAT’S IT ALL ABOUT: Athens scene band, jangly guitars, but a different deal than REM due to the more linear story songs and harmonies.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Hearing the guitars, you think that maybe Guadalcanal Diary cribbed something from older scenesters REM, but then when Murray Attaway sings, and the lyrics are definitely mostly straight forward story songs or love songs, with harmonies from the rest of the band, it becomes more of a second cousin band to their more famous scene-mates.

Their debut, produced by REM producer Don Dixon, show off the band’s strengths in harmonies, and creating a mood. Yet, it seems slight, since two of the tracks were instrumentals, and another was a live version of  Kum Ba Yah”.

Guadalcanal Diary had promise – a more traditional sound still with the college radio / independent streak. This debut showed off some of the things that endeared them to fans later down the road.

NOTES & MINUTIAE: Dixon had recorded an EP for them, and this album to put out on a local label. When they got signed, they convinced Elektra to release this record and not make them record new tracks.

IS THERE A DELUXE VERSION: Yes, B-sides and their first EP are appended. 

GRADE: B: It’s really good in most spots, but it’s slight and seems slapped together at times.

Barrence Whitfield & The Savages – Barrance Whitfield & The Savages

ARTIST: Barrence Whitfield & the Savages             whitfield

TITLE: Barrence Whitfield & the Savages

YEAR RELEASED: 1984

CHART ACTION: None

SINGLES: None

OTHER SONGS YOU MAY KNOW: Oh, no

LINEUP: Barrance Whitfield, Peter Greenberg, Phil Lenker, Howard Ferguson, Steve LaGrega, Bill Mooney-McCoy

WHAT’S IT ALL ABOUT: A throwback soul man hooks up with a group of affecionadoes from the Lyres and other Boston bands to create a hot R&B revue.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Barrence Whitfield was in college in Boston and working at a record store, when Peter Greenberg of the Lyres heard him singing in the store. Soon, Whitfield and Greenberg were working together with a group of Boston-based musicians. They dubbed the band “The Savages” which fit Whitfield’s raucous vocals.

Their first album is a stomper, with some obscure R&B covers from the 60’s and originals that fit right in like “Walking with Barrence” and “Ship Sailed at Six”. A cover of “Mama Get the Hammer” fits right in with its oddball and frenetic energy.

It’s a fun time with a fun band.

NOTES & MINUTIAE: Whitfield’s real name is Barry White. There’s a good reason they changed it.

IS THERE A DELUXE VERSION: Yes, a re-issue packs 10 more cuts onto the package.

GRADE: A-: Just try not to move during this record.

Lloyd Cole & The Commotions – Rattlesnakes

ARTIST: Lloyd Cole & The Commotions           Rattlesnakes

TITLE: Rattlesnakes

YEAR RELEASED: 1984

CHART ACTION: #13 UK

SINGLES: Perfect Skin (#26 UK), Forest Fire (#41 UK), Rattlesnakes (#65 UK)

OTHER SONGS YOU MAY KNOW: Only if you were hip to him back then.

LINEUP: Lloyd Cole, Neil Clark, Blair Cowan, Lawrence Donegan, Stephen Irvine

WHAT’S IT ALL ABOUT: Debut from songwriter and his band shows his influences, and also shows that he’s almost equal to them.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: There’s a spot of Dylan and Television in the songs, and some soul and R&B influences in the music, and some of the production is definitely 80’s, but this debut from Lloyd Cole and his band isn’t a period piece or a homage.

Cole’s songs are more than just an ape of his idols and inspirations. Cole’s songs have strong narratives, and the backing is tight and sympathetic. He and his band allow the songs to breathe, but the arrangements also display his band’s precision and musicianship.

This was a college radio favorite in the US, and thus not many people heard it. It’s our loss.

NOTES & MINUTIAE: Cole’s father was the club master at a golf club in Scotland, and that’s where this labum was written.

IS THERE A DELUXE VERSION: Yep. B-sides, live cuts, the usual add-ons.

GRADE: A: We should have been hip to it.