Tag: Compilation

Midnight Oil – Essential Oils

ARTIST: Midnight Oil Essential_Oils_cover_art

TITLE: Essential Oils

YEAR RELEASED: Compilation

CHART ACTION:  None in the US

SINGLES: Several of the songs not listed were singles in Australia and NZ. Charting in the US and UK: The Dead Heart (#53 US, #11 Mainstream, #62 UK), Beds Are Burning (#17 US, #6 Mainstream, #6 UK), Dreamworld (#37 Mainstream., #16 Modern) Blue Sky Mine (#47 US, #1 Mainstream, #1 Modern, #66 UK), Forgotten Years (#11 Mainstream, #1 Modern, #97 UK), King of the Mountain (#20 Mainstream, #3 Modern), Truganini (#10 Mainstream, #4 Modern, #29 UK), My Country (#66 UK), In the Valley (#60 UK)

OTHER SONGS YOU MAY KNOW: The above probably covers it.

LINEUP: Peter Garrett, Jim Moginie, Martin Rotsey, Rob Hurst. Andrew James was the original bassist. Peter Gilford replaced him for a few years and Bones Hillman replaced him.

WHAT’S IT ALL ABOUT: Australia’s best band ever? Maybe! They’ve been at it since 1976 in one form or another with the same four core members since 1977. They are highly political, tremendous live, and always seem to evolve their sound.

 SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: A band that’s been around since the mid-70s (and are back and touring again) had to sound stale at some point, right? No, not Midnight Oil. They always pushed their music forward – from a punk-ish roar to experimenting with electronics and distortion. But they are always determined to make an impact both politically and socially.

This collection grabs tracks from each studio album and even Eps. By their second album, they were tight and fierce as any band going, and that never really changed as they moved forward. Always political, and always advocating for social change (and Peter Garrett isn’t their sole lyricist, in case you were wondering), Midnight Oil became the conscious of the Australian rock world – all while delivering great and challenging music and killer live shows.

They split up when Peter Garrett got more involved in Australian politics, but have reunited and have toured around with much of the same fire and fury as they had before. This is an essential collection for an essential band.

NOTES & MINUTIAE: “The Dead Heart” is their highest charting single in Australia, at #$

IS THERE A DELUXE VERSION: No.

GRADE A+: It’s an essential compilation that will make you want to dive in for their entire catalog.

Green Day – 1,039/Smoothed Out Slappy Hours

ARTIST: Green Day 220px-Green_Day_-_1,039-Smoothed_Out_Slappy_Hours_cover

TITLE: 1039 / Smoothed Out Slappy Hours

YEAR RELEASED: Compilation

CHART ACTION:  None

SINGLES: Two releases here are EPs

OTHER SONGS YOU MAY KNOW: Only if you were into that scene, or are a Green Day completist.

LINEUP: Billy Joe Armstrong, Mike Dirnt, John Kiffmeyer. 220px-Green_Day_-_1,000_Hours_cover

WHAT’S IT ALL ABOUT: Compilation of the first album and two Eps from Green Day, released before their breakthrough (so it isn’t a cash in, really). 

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: From the start of their recording career, Green Day had their vision in mind. A power-pop punk sound that combined some of the speed (but not a breakneck speed) and simple structures of punk, but with melodies that allow for singing instead of shouting. The structures also were deceptively simple with some interesting changes in some tracks. The difference is the execution, as these records are from the time when the band was finding its footing.

This release combines their first two EPs (1,000 Hours and Slappy) and their full length released in 1990 (39/Smooth). At first, they sounded tentative, but as things rolled along their sound fleshed out (Dirnt’s bass becomes a bit louder in the mix, and Kiffmeyer’s drums are more expressive). The songs, as usual penned lyrically by Billy Joe Armstrong, are a bit more intelligent than some of their punk brethren at the time. Green_Day_-_Slappy_cover

This collection shows the growth of the band, but they weren’t quite at their peak yet. It would take the next release to coalesce and set the stage for their dominance of the punk matketplace in the 90’s. It’s worthy to see where they were before the big stage of a major label, and why some fans glommed onto them early on.

NOTES & MINUTIAE: Drummer John Kiffmeyer was billed as Al Sobrante at times. He started to study at Humboldt State, and the band picked up drummer Tre Cool to take his place. The rest is history (though the split was seeming amicable).

IS THERE A DELUXE VERSION: The last release omits a track that was used on a soundtrack.220px-Green_Day_-_39-Smooth_cover

 GRADE B: I have a soft spot for power punk pop, and while they would get better and more expansive there’s something charming about these tracks.

Supertramp – Retrospectacle: An Anthology

ARTIST: Supertramp 220px-Supertramp_-_Retrospectacle

TITLE: Retrospectacle – The Supertramp Anthology

YEAR RELEASED: Compilation

CHART ACTION:  #9 UK

SINGLES: Charting: Dreamer (#13 UK), Bloody Well Right (#35 US), Give a Little Bit (#15 US, #29 UK), The Logical Song (#6 US, #7 UK), Breakfast in America (#62 US, #9 UK), Goodbye Stranger (#15 US, #57 UK), Take the Long Way Home (#10 US), It’s Raining Again (#11 US, #26 UK), My Kind of Lady (#31 US), Cannonball (#28 US), Free As a Bird (#95 UK)

OTHER SONGS YOU MAY KNOW: Crime of the Century, Gone Hollywood

LINEUP: Rick Davies, Roger Hodgson, John Anthony Helliwell, Dougie Thompson, Bob Siebenberg were the main quintet. Early band members were Richard Palmer, Robert Millar, Kevin Currie, Davie Winthrop, and Frank Farrell. When Hodgson left, they added session players until their 1997 album. Thompson had left by then. Mark Hart, Cliff Hugo, Tom Walsh, Jessie Siebenberg, and Lee Thornburg were official members then.

WHAT’S IT ALL ABOUT: Good size retrospective of long time prog rock band that became quite popular in the late 70s and early 80s.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Before 1974, Supertramp were a footnote, noted only because a Dutch tycoon backed them. After 1979, they were prime examples of the merging of prog and mainstream rock. This compilation focuses a lot from 1974 through 1997, though it does give you a taste of their early days.

Supertramp were of two minds it seems, proggy songs that rambled on, and hooky rock songs that had prog elements. They also had two songwriters and singers who brought different perspectives and ideas to the band, which helped round out the band, but also led to its ultimate demise.

I reviewed their two best albums, and plenty of cuts here are on those. The other cuts are from their lesser works, where they were struggling to repeat success (or gain success), and post-blockbuster where the band was (and did) splinter apart. Later on, they released two albums before calling their recording career quits, though the fire was out by then.

Some tracks here are better off here without lesser tracks clogging them, but tracks from Crime of the Century and Breakfast in America are best served there. And some tracks will appeal only to true fans here anyway, and the live cuts don’t add much to the program. It’s their best comp, though, so if you’re curious, spin it.

NOTES & MINUTIAE: They’re still an ongoing concern, but Davies had health problems that forced them to cancel a 2015 tour.

IS THERE A DELUXE VERSION: No.

GRADE B: When they were great, they were great. When they weren’t, you can definitely tell the difference here.

Blink 182 – Greatest Hits

ARTIST: Blink-182 220px-Blink-182_-_Greatest_Hits_cover

TITLE: Greatest Hits

YEAR RELEASED: Compilation

CHART ACTION:  #6 US, #6 UK

SINGLES: Top 20: Dammit (#11 Alternative), What’s My Age Again (#58 US, #2 Alternative, #17 UK), All the Small Things (#6 US, #1 Alternative, #2 UK), Adam’s Song (#101 US, #2 Alternative), Man Overboard (#117 US, #2 Alternative), The Rock Show (#71 US, #2 Alternative, #14 UK), First Date (#106 US, #6 Alternative, #31 UK), Feeling This (#102 US, #2 Alternative, #15 UK), Stay Together for the Kids (#116 US, #7 Alternative, #117 UK), I Miss You (#42 US, #1 Alternative, #8 UK), Down (#10 Alternative, #24 UK), Not Now (#18 Alternative, #30 UK)

OTHER SONGS YOU MAY KNOW: If you knew more, you wouldn’t need a comp

LINEUP: Mark Hoppus, Tom DeLonge, Travis Barker. Scott Raynor drummed on their first two albums and you can tell why they 86’d him.

WHAT’S IT ALL ABOUT: Power pop punk was a hit making machine for a few years in the early 2000’s, but in retrospect were just a bit derivative and vapid.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: One notable thing about this collection is that it doesn’t ignore their two pre-hit albums. You hear right away the germination of their sound, and why they had to get rid of their original drummer.

But that sound, a power-pop crossed with punk hybrid with lyrics about early 20’s angst, was only good when they had hooky choruses that almost made you forget that some of the lyrics were hackneyed. As they grew more ambitious, and branched for a few chords and a hook, they got less interesting. When they stayed in their lane, it seemed like they were constrained and just repeated themselves. Their limitations boxed them in.

Yet it’s not without its charms. Blink-182 had a lot of charisma and fun in them and on occasion they satisfy. But over a long collection, their flaws become more apparent.

NOTES & MINUTIAE: This was released after their first breakup. Since rock never dies, they’ve been reunited a couple of times.

IS THERE A DELUXE VERSION: This is one of two collections. The later stuff isn’t compiled, yet, and it doesn’t seem it would enhance anything. There are bonus UK and Japanese tracks for this, though.

 GRADE B: A collection like this is probably your safest bet for the Blink-182 experience overall. Still, it feels like you’re hearing either the same song over and over, or a different band that doesn’t know how to vary from a sound.

Strawbs – Halcyon Days

ARTIST: Strawbs  Halcyon_days_uk

TITLE: Halcyon Days

YEAR RELEASED: Compilation

CHART ACTION:  None

SINGLES: Charting: Lay Down (#12 UK), Part of the Union (#2 UK)

OTHER SONGS YOU MAY KNOW: Their albums charted here but really it was a select crowd.

LINEUP: Dave Cousins was the constant. Tony Hooper was his foil until 1973 or so. Dave Lambert, Ron Chesterman, John Ford, Chas Cronk, Richard Hudson, Ron Coombes, Rick Wakeman (yup!), Blue Weaver, and  John Hawken all appeared at some point.

WHAT’S IT ALL ABOUT: Fantastic, if not overwhelming, collection from a UK band that straddled folk, psychedelic, prog, and glam (a bit). Leader Dave Cousins had a knack for melody and lyrics that allowed for various instrumentations and arrangements.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Strawbs started in 1964, but it wasn’t until 1969 that they got their first record deal and immediately gained a foothold in the UK in the folky / psychedelic / prog lane, near the Moody Blues, Jethro Tull, and some of the earlier Yes records. But they weren’t easy to pin down, as their sound evolved with the various band members coming through the group.

The constant was Dave Cousins, who had serious songwriting gifts. His songs were complex and led themselves to various arrangements. Sometimes they were long and pastoral meditations, some were suites in line with the progressive bands of the time (like King Crimson in the early 70’s) and then sometimes they were in step with the synth / mellotron / guitar progressive rock of the mid-70’s.

For those not knowing about them, it is a bit much to bite off at once, especially if you don’t think you’re totally on board. But just a few tracks (like the opener “The Man Who Called Himself Jesus”) should make you a believer on some level.

NOTES & MINUTIAE: Sandy Dennis was in the band for a bit in 1967, and Rick Wakeman was on three albums before he decamped to Yes.

IS THERE A DELUXE VERSION: There are two versions, as the band differentiated between US and UK markets with their promotion The US version has tracks in chronological order, and this approach makes sense. The UK version is scattered, and has several different tracks (and three not streaming – probably due to issues with Rick Wakeman’s contract). They also have solo work from Cousins and the UK version has tracks from spin off group Hudson Ford.

 GRADE B+: There’s some impressive stuff here that everyone should like, but most of it is probably great for prog fans and not so much for those who don’t dig that scene.

The Ohio Express – The Best of the Ohio Express

ARTIST: The Ohio Express R-3041990-1313008318.jpeg

TITLE: The Best of the Ohio Express

YEAR RELEASED: Compilation

CHART ACTION:  None

SINGLES: Yummy Yummy Yummy (#4 US, #6 UK), Down at Lulu’s (#33 US), Chewy Chewy (#15 US), Sweeter than Sugar (#96 US), Mercy (#30 US), Pinch Me (Baby Convince Me) (#99 US), Sausalito (Is the Place to Go) (#86 US), Cowboy Convention (#101 US)

OTHER SONGS YOU MAY KNOW: Oh, I doubt it.

LINEUP: Joey Levine is the vocalist you know on their hits. 10cc stood in later (yep). There was a ‘real’ band that was featured on a few cuts their first album (second album?), sent off to tour, and were never seen again in the studio.

WHAT’S IT ALL ABOUT: One of best known Kasenetz–Katz ‘bands’ had a real band going around touring, but they didn’t play on any of their hit singles, which were radio gold..

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: The Kasenetz-Katz production empire was nothing if not efficient. The Ohio Express, the 1910 Fruitgum Company, the Music Explosion, and others relied on session musicians, shared backing tracks, and even the same songs released on the others B-sides. R-3556232-1335122443.jpeg (1)

Despite “Yummy Yummy Yummy” and “Chewy Chewy”, their other singles were better than the usual bubblegum fare. They had hooks galore and crack session players and the unique Joey Levine voice. When Levine left the production company due to a dispute (it’s always about the money) they drafted others in, like the masterminds behind 10cc, to keep up the groups appearance until the bubblegum fad faded.

Don’t try out their albums, since they really focused on singles, and the few cuts that the actual bad played on are gunky. They focused on the A-sides so much the B-sides were instrumentals, or songs run backwards.

This is damn fine pop candy for those inclined. Or, gum, I guess. Bubble Yum?

NOTES & MINUTIAE: The origins of the name and band Ohio Express are wild. Basically the ‘first’ album was patched together after the Kasenetz-Katz team bought a few songs and rebranded them Ohio Express from the Rare Breed, and then had others record stuff to fill it out, then found another group to become the Ohio Express for album two.

IS THERE A DELUXE VERSION: No, but there are other comps with different tracks. Beware of re-recordings. And seek out the original “Cowboy Convention” on comps that are not streaming.

 GRADE B-: I mean, it’s pop fluff, but it’s tasty. I can’t help it.

Gloria Estefan – The Essential Gloria Estefan

ARTIST: Gloria Estefan 220px-Gloria_Estefan_The_Essential_Gloria_Estefan

TITLE: The Essential Gloria Estefan

YEAR RELEASED: Compilation

CHART ACTION:  None

SINGLES: With Miami Sound Machine: Dr. Beat (#17 Dance, #6 UK), Conga (#10 US, #7 Dance, #79 UK), Bad Boy (#8 US, #10 Dance, #16 UK), Words Get in the Way (#5 US), Falling in Love (Uh-Oh) (#25 US, #89 UK), Solo Top 20: Can’t Stay Away from You (#6 US, #7 UK), Anything for You (#1 US, #10 UK), 1-2-3 (#3 US, #9 UK), Don’t Want to Lose You (#1 US, #6 UK), Get on Your Feet (#11 US, #20 Dance, #23 UK), Here We Are (#6 US, 23 UK), Oye Mi Canto (#48 US, #16 UK), Cuts Both Ways (#44 US, #17 UK), Coming Out of the Dark (#1 US, #25 UK). Go Away (#103 US, #13 UK), Turn the Beat Around (#13 US, #21 UK), Hold Me Thrill Me Kiss Me (#11 UK), Everlasting Love (#27 US, #19 UK), Reach (#42 US, #15 UK), You’ll Be Mine (Party Time) (#70 US, #18 UK), Heaven’s What I Feel (#27 US, #17 UK)

OTHER SONGS YOU MAY KNOW: Maybe so? She has some of her Spanish language hits here.

LINEUP: Gloria Estefan, and whatever incarnation of the Miami Sound Machine was on those records.

WHAT’S IT ALL ABOUT: One of the first Latin crossover artists that made a long-lasting impact in the US and abroad has a compilation stacked with her festive hits and romantic ballads.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Ever since the Miami Sound Machine made the move to English-language records (after seven Spanish language albums), Gloria Estefan, her husband Emilio, and the band have been a force in European, Latin, and American markets. And while it could be said that the music is formulaic, it is also joyous and memorable.

From 1984 to 1998, Estefan and / or the group had hits in the US or the UK, and still held sway over the Latin charts when she recorded in Spanish. Combining Cuban and Latin American rhythms and flourishes with modern synthesizers and drum machines made their sound unique in the pop markets. The arrangements may be bold and big, but they usually don’t overpower the song or her voice.

This is a large collection, and there’s some stuff that isn’t up my alley, and probably not up yours either. But she deserves a lot more credit than she gets sometimes for being a force in pop and dance music for so many years.

NOTES & MINUTIAE: She survived a huge bus / semi crash in 1990 and was touring ten months later.

IS THERE A DELUXE VERSION: No. There are other comps but this is the most comprehensive.

 GRADE A-: You don’t really think about how long she was on top of the game until you start listening to these tracks back to back to back.

Chuck Berry – The Chess Box

ARTIST: Chuck Berry  220px-The_Chess_Box_(Chuck_Berry_box_set)_cover_art

TITLE: The Chess Box

YEAR RELEASED: Compilation

CHART ACTION:  None

SINGLES: Top 20: Maybelline (#5 US, #1 R&B), Wee Wee Hours (#10 R&B), Thirty Days (#2 R&B), No Money Down (#8 R&B), Roll Over Beethoven (#29 US, #2 R&B), Too Much Monkey Business (#4 R&B), School Day (Ring! Ring! Goes the Bell) (#5 US, #1 R&B, #24 UK), Rock and Roll Music (#8 US, #6 R&B), Sweet Little Sixteen (#2 US, #1 R&B, #16 UK), Johnny B. Goode (#8 US, #2 R&B), Carol (#18 US, #9 R&B), Almost Grown (#32 US, #3 R&B), No Particular Place to Go (#10 US, #10 R&B, #3 UK), My Ding-A-Ling (#1 US, #42 R&B, #1 UK)

OTHER SONGS YOU MAY KNOW: How many don’t you know?

LINEUP: Chuck Berry. His early band had Johnnie Johnson, Willie Dixon, and Fred Below, but there so many others.

WHAT’S IT ALL ABOUT: It’s Chuck Berry. C’mon, man.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: His impact is short-changed by the charts, but running down the tracks in this collection is staggering as to what he wrote, and what he performed. Even if you don’t like a couple of tracks, there are many many others you’ll know.

He wrote about a lot of every day problems, and always tinged with his status as someone who was poor and a minority in Middle America.

There are 71 tracks here, from his great beginning, to some of his best later stuff (like “Tulane”), and yes, “My Ding-a-Ling” which should be excised from human existence. But that should not dissuade you. Just delete it from your collection and move forward.

NOTES & MINUTIAE: He had some legal issues, tax issues, and some…other issues. He’s not in the HOF of best-ever people.

IS THERE A DELUXE VERSION: No. Chess did a good job here.

GRADE A+: It’s Chuck Berry.

Glen Campbell – The Legacy (1961-2017)

ARTIST: Glen Campbell Glen_Campbell_The_Legacy_album_cover

TITLE: The Legacy (1961-2017)

YEAR RELEASED: Compilation

CHART ACTION:  None

SINGLES: Top 5: By the Time I Get to Phoenix (#26 US, #2 Country), I Wanna Live (#36 US, #1 Country), Dreams of the Everyday Housewife (#32 US, #3 Country), Wichita Lineman (#3 US, #1 Country, #7 UK), Galveston (#4 US, #1 Country, #14 UK), Try a Little Kindess (#23 US, #2 Country, #45 UK), Honey Come Back (#19 US, #2 Country, #4 UK), All I Have to Do Is Dream (#27 US, #6 country, #3 UK), Everything a Man Could Ever Need (#52 US, #5 Country, #32 UK), It’s Only Make Believe (#10 US, #3 Country, #4 UK), Bonaparte’s Retreat (#3 Country), Rhinestone Cowboy (#1 US, #1 Country, #4 UK), Country Boy (You Got Your Feet in LA) (#11 US, #3 Country), Don’t Pull Your Love / Then You Can Tell Me Goodbye (#27 US, #4 Country), Southern Nights (#1 US, #1 Country, #28 UK), Sunflower (#39 US, #4 UK), A Lady Like You (#4 Country), Still Within the Sound of My Voice (#5 Country)

OTHER SONGS YOU MAY KNOW: Turn Around Look at Me, Universal Soldier, The Legend of Bonnie and Clyde, Gentle on My Mind, True Grit

LINEUP: Glen Campbell and Session musicians. Duets with Bobbie Gentry and Anne Murray too.

WHAT’S IT ALL ABOUT: After being an in-demand session guitarist and backing vocalist (and temporary replacement Beach Boy), Glen Campbell’s solo career took off after recording songs by Jimmy Webb. It was a perfect match.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Glen Campbell’s impact on pop and country seemed diminished for a while, as his happy-go-lucky TV personality and his later marital issues and gossip column fodder overshadowed his gifts. But while he wasn’t much of a songwriter – he was an ace guitar player and an excellent vocalist who could evoke emotion from each song he performed, and fit his voice perfectly with arrangements.

His first big hits came when he started collaborating with songwriter Jimmy Webb, starting with “By the Time I Get to Phoenix”, and “Wichita Lineman”. He recorded the definite version of “Gentle on My Mind” by John Hartford, and many other songs became standards due to his interpretations, even down to Alan Toussaint’s “Southern Nights”.

This collection has some fluff, especially his later career, and honestly, the string-laden productions can get a bit overblown in his 60’s material, but for music fans from 1966 through 1977 or so, Campbell was a force in country, pop, and television.

NOTES & MINUTIAE: He was the first to record (and he co-wrote) “Turn Around, Look at Me”. He also released 14 albums between 1967 and 1970. Holy studio time!

IS THERE A DELUXE VERSION: No. This is a new collection of a collection first issued in the early 2000’s, with the last disc of live and outtakes replaced by a whole disc of his later work.

GRADE A-: Comprehensive, and most of his material is essential for pop and country fans. There’s just some dross in his later years, as one would expect.

Del Shannon – Greatest Hits

ARTIST: Del Shannon R-3844037-1363413923-3560.jpeg

TITLE: Greatest Hits

YEAR RELEASED: Compilation

CHART ACTION:  None

SINGLES: Top 20: Runaway (#1 US, #1 UK), Hats Off to Larry (#5 US, #6 UK), So Long Baby (#28 US, #10 UK), Hey! Little Girl (#38 US, #2 UK), The Swiss Maid (#62 US, #2 UK), Little Town Flirt (#12 US, #4 UK), Two Kinds of Teardrops (#50 US, #5 UK), Keep Searchin’ (We’ll Follow the Sun) (##9 US, #3 UK)

OTHER SONGS YOU MAY KNOW: Stranger in Town, Handy Man, Do You Wanna Dance

LINEUP: Del Shannon and session players. Max Crook was the inventor and player of the Musitron, which gave Shannon’s records that neat keyboard sound.

WHAT’S IT ALL ABOUT: An unlikely pop star for the early 60’s, as he was almost 27 and wrote his own songs, Shannon deserved more accolades for his entire work, but Runaway is still an all-timer.

SOME WORDS, PHRASES AND CLAUSES ABOUT THIS RECORD: Del Shannon met Max Crook in 1959, and together the two changed rock music for good in 1961 when they struck gold with “Runaway” featuring Crook’s Musitron as a lead instrument. The Musitron was arguably a synthesizer and that keyboard sound helped widen the sound of music besides simple piano or organ.

Besides “Runaway”, Shannon had a decent pre-Beatlemania career in the US, and a longer stretch of hits in the UK (where the Beatles were big fans). But as time went along, Shannon fell out of favor despite embracing psychedelic pop for a couple of fine late 60’s records.

This collection has all of the early 60’s high points and shows that Shannon’s songwriting had some depth (even if the Musitron solos all were similar in his early stuff), with the only nit to pick was the anonymous and very white female backup singers. He later had alcohol and depression issues, and took his life in his mid 50’s even as he was being considered to replace Roy Orbison in the Traveling Wilburys.

NOTES & MINUTIAE: He was the first US artist to cover the Beatles, as his version of “From Me to You” which hit #77 in the US (and was the flip to a hit in the UK).

IS THERE A DELUXE VERSION: The Rhino version isn’t streaming, but there is one streaming that adds on three later songs instead of the final three tracks. You take what you can get.

 GRADE B+: “Runaway” is an all-timer, and some of his other hits are must have for your collection.